Slash retells some of the events from that book from his own perspective in the autobiography. Nikki Sixx's book, The Heroin Diaries: A Year in the Life of a Shattered Rock Star, which debuted at #7, was at #16 on the list. The book was at #6 on the NYT Hardcover Nonfiction list as of November 25, 2007, having been published in the United States on October 30. Whether or not I deserve to be is another story." - Slash "I've always had to do things my way I play guitar my way I've taken myself to the edges of life my way I've gotten clean my way And I'm still here. He had a very bad addiction to a variety of different drugs, but was in time, able to overcome and get his life back on track. Slash also explains how he dealt with and overcame the harsh chains of addiction, and his many close calls with death because of heroin, cocaine, pills, alcohol, and more. He discusses his reasons for leaving the band, what he did after leaving, the other projects he worked on between leaving Guns N' Roses and the formation of Velvet Revolver, and the drama surrounding that band, and everything in between. Most of the book focuses on Slashs years with Guns N Roses, including many. Slash's autobiography tells his story of playing in bands around early 1980s Los Angeles, eventually leading to the formation of Guns N' Roses, who would go on to become one of the biggest bands on the planet in the early 90s, before collapsing under their own weight. Slash is an autobiography written by rock guitarist Slash with Anthony Bozza. The book's tagline is: 'It seems excessive, but that doesn't mean it didn't happen.' Slash relates how he eventually achieved stability and sobriety after his second marriage and the birth of two sons. Slash also states that Axl wanted to change the musical direction of the band to include more synthesizers and effects, rather than guitar-driven rock as with their earlier material. He explains that Axl's inability to show up to gigs and rehearsals on time, in addition to Axl's almost dictator-like control of the band contributed to the band's downfall. Slash talks about Axl Rose, frontman of Guns N' Roses, and his departure from the band in the mid-1990s. Most of the book focuses on Slash's years with Guns N' Roses, including many rock star cliches: trashed hotel rooms, groupies, drug abuse, etc. Slash is an autobiography written by rock guitarist Slash with Anthony Bozza.
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“She had this sadness and this pain in her voice, you could just feel it… I want to sing to people that way, and leave that impact where they just feel my pain, and I don’t have to express it or talk about it. As I dig deeper into the past of my life, I understand why I’m the way that I am.”Īs she found her own voice, she also closely studied her aunt DeDe O’Neal, an R&B singer who sang backup for the late Teena Marie and recorded for hit factory LaFace Records (including “What’s Up”). I’d be in the car and she’d, like, turn on the classical music station and then take me to Taco Bell and I’d eat my burritos, and I’d just be chilling in the backseat, I was a little kid. That’s what my grandmother would play for me. I did that for 12 years of my life, it was pretty extensive. “I listened to a lot of opera because I was a ballerina. MUSICAL BACKGROUND: Raised on gospel (at the insistence of her grandfather, a pastor and an opera singer himself), Phlo says she developed a deep love for classical music. HOMETOWN: Born in Oakland, Finister has lived in and around Los Angeles since she was 5. Learn more and grab a free download below. She just released the six-song EP Crown Gold, her second collection of the year, and we’re expecting her to be popping up all over the place in the months ahead. Phlo’s sound draws in equal measure from back-in-the-day R&B and futuristic dark pop, with her honeyed vocals rising over polished original productions and ingenious mashups (Garbage’s “#1 Crush” + 2Pac’s “Hail Mary”?). And why not? In the last couple of years, she’s worked as a model, a fashion editor for Persona and music industry stylist, shaping a sound that re-interprets the 1960s youthquaker cultural movement embodied by Edie Sedgwick and Jean Shrimpton. Now 20, the Hollywood-based singer is watching her star soar - but this time, she’s wearing it well. Jessy Lanza’s new single, “You & Me”, from “Hyperdub 10.Phlo Finister suffered such self-doubt as a child that, when forced to perform at her family church, she would sing to the faithful with tears streaming down her face. Or if you’re trying to have sex, to provide the music for that. I want to give you the best sulk music ever. I want to evoke something that’s not nameable, for people to go, ‘huh?’. You shouldn’t be making your female audience feel uncomfortable about their bodies by over-sexualising your own.”įor Kelela, all the contorting is in the sonics, and in the twisted way her breathy voice wraps around the spiky beats, each changing the meaning of the other: “It’s gratifying to hear something familiar and challenging at the same time. “My view is, if you’re watching it and you feel uncomfortable, it’s gone too far. Rosie Lowe is also disappointed to see an artist she admires reduced to cavorting: “I’m a huge fan of Beyoncé, but I do find it really sad how sexualised the visuals are,” she says. “I feel so sorry for her: she looks like a deer caught in the headlights.” “Ariana Grande is a great example of a pop star who is very beautiful, and her music is equal in its own way, but she looks so deeply uncomfortable, like she’d rather be playing with her horses,” laughs Lanza. These rudders, each approximately half the size of the traditional steering rudder, and linked to operate in unison, flank the driveshaft and fall within the perimeter of the propeller’s slipstream to direct prop wash and better provide the sideways force necessary to turn the boat in either direction. Or, at least as easy as an outboard or sterndrive.ĭockstar adds a pair of smaller rudders forward of the propeller. MasterCraft’s enticement to the latter crowd is Dockstar, a steering system enhancement the company claims will make docking and maneuvering an inboard in reverse as easy as parking a car. Most inboard consumers learn to adapt, but the quirk keeps countless others, who may benefit from an inboard’s superior wake potential, behind the wheel of a sterndrive. A direction determined solely by prop torque, the directional force created by the spinning propeller. There’s nothing forward of the prop to deflect prop wash (and no vectored thrust like you’d find on a sterndrive or outboard you can’t “steer” an inboard’s prop), so no matter which way the wheel is turned the boat backs effectively in only one direction. But shift into reverse and that rudder is effectively nullified. When moving forward, the propeller’s steady flow of water passes over the rudder aft to produce agile, spirited handling. Ski and wake-boat manufacturers have gone to great lengths preaching the merits of inboard power, but for all the positives the fact remains inboards have an Achilles heel - manueverability in reverse. Small, isolated deposits are exposed discontinuously across the 40 miles between this spot and Murphy. Erosion carried away softer siltstone and volcanic tuffs but left the more resistant oolite to weather above the mudflats.Wave action that varied with the seasons, the weather, and the types of sediment in the water washed the ooids back and forth in the shallows on the southwestern side of Lake Idaho, depositing them from 2 to 40 feet thick on steeper benches near the shore. Most other examples of ooid formation and deposition are found in wave-agitated sea waters or on the beds of much saltier lakes.The Shoofly Oolite is one of the largest freshwater lakebed oolites known in the world. Oolite is sedimentary limestone composed of tiny ooids, which form when calcium carbonate precipitates in concentric layers around individual grains of sand. The natural sculpture garden is a section of the Glenns Ferry Formation called the Shoofly Oolite.The sediments left behind from Lake Idaho are known as the Chalk Hills and Glenns Ferry Formation. Captured by the Snake River, the waters drained out in a massive flood that gouged Hell’s Canyon. Geologist think that 2 to 4 million years ago, water from melting glaciers caused Lake Idaho to overflow to the west.Thousands of feet of sediment were deposited on the Lake’s bottom over its 6.5 million years of existence, interrupted at times with layers of basalt and volcanic ash (tuff) from eruptions of adjacent volcanoes.Some 200 miles long and 35 miles wide, Lake Idaho drained south into Nevada. Now a valley, the Plain became a basin for Lake Idaho. As crustal extension progressed between 11 and 9 million years ago, the Owyhee Mountains and the Boise Front responded by rising to their present height along faults bordering the rift.Here, the earth’s crust was pulled apart, northeast to southwest, and was stretched thin like taffy. Evidence indicates that the Plain began as a continental rift about 12 million years ago. Extending across southwest Idaho between the Owyhee Mountains and Boise Front is the broad valley of the western Snake River Plain.While hiking and enjoying the great Idaho outdoors, sometimes it’s nice to actually understand the area to gain a better appreciation of what I’m seeing. This geologic information site is pretty cool and there is a walking trail on site also. The BLM has a “new” interpretive site south of Grand View on Mud Flat Road. Do not count on your cell phone to do anything other than its best impression of a paper weight in this countryside.Oolite? What the heck is that? It’s not a new beer or some kind of new fad diet food. You also want to be well-equipped with plenty of food, water, clothing, warm bedding, tent and maybe even an extra spare tire. The BLM says that normally, a typical passenger car will do fine along the road, just look out for inclement weather. There is paved road up to both ends of the byway. The western terminus at Jordan Valley, just over the state line in Oregon. The eastern terminus of the byway is at Grand View on the Snake River (about 80 miles southeast of Boise). There are pullouts and interpretive panels and kiosks in a couple places. Other than that, there are no amenities or services along the entire route. There is also a developed picnic area at Poison Creek, just west of Grand View. There is one developed campground about 30 miles east of Jordan Valley, Oregon, at the North Fork Recreation Site. The Owyhee Uplands Backcountry Byway is primarily a Bureau of Land Management route. The best times to travel: early summer and fall. Depending on how recent and how severe rainfall might be, the road can be impassable almost any time of year: that's howe the former name "Mud Flat Road" came to be. The route is usually impassable from late October through early May because of snow. Most of the road is gravel and about 1.5 lanes wide at best. The Owyhee Uplands Backcountry Byway is a 101-mile route through the backcountry of Owyhee County: deep river canyons, dry mountains, desert areas, small riparian zones and abandoned mining settlements. You can purchase your Disney Paint now at select Walmart stores across the country. This mood boosting color narrative is all about a optimism and joy. View Paint Color Palette, 9 Best Living Room Paint Colors of 2022 | Expert Picks For Neutral Wall Color In Living Rooms Ideas Photos | Sherwin Williams, Benjamin Moore. bully merle puppies for sale wooyoung ideal type ateez Newsletters speedbox ep8 rs ve commodore bluetooth music fun audiobooks for road trips hendricks hospital Great Product!! Old barn with a few new boards on doors. idesigstiles has uploaded 1205 photos to Flickr. Lowe's has all of the tools you need and the perfect paint colors from popular paint suppliers like Valspar and Rust-oleum. Symmetry, balance and proportion are the classic hallmarks that comprise the stately exteriors of Georgian and Federal style homes. Balboa Mist is a good light true greige paint color. Matching Glidden Paint Colors, MyPerfectColor is able match all of the Glidden paint colors including WGR22 Red Delicious so you can find and enjoy the colors you love. Available in almost limitless colors, paint is a must-have decorating tool. Pair with deep greens, light tans and gold for a harmonious feel. For guaranteed shipment within 1 business day, select And Company 12. See more ideas about custom palette, color inspiration, color. A few swipes of this lively color from Behr will make you feel like you're on a tropical getawayor at least at the beach. You'll see a trace of gray in this calming color, which can serve to complement or contrast with your cherry wood piece. Sherwin-Williams doesn’t provide a zero-VOC option, though most paints have low VOC content (under 50 g/l). Warmer hues make larger spaces feel more. Adhesion on wood, metal and previously coated surfaces. Durable Red Paint Colorant 96-13000/04 Pack of 4 Glidden. Krylon's 2022 Color of the Year was a vibrant blue-teal paint that would look striking sprayed on an outdoor bench, while Behr's 2022 Color of the Year was a soft and. The average target contrast ratio is 70% between colors. Sometimes going with a generic brick themed color such as Rookwood Dark Red Sherwin Williams 2801 is the direction that one. Library download statistics reported by GitHub, PyPI, and Bioconductor indicate that researcher interest in Cytoscape Automation is strong-500 downloads/month for py2Cytoscape and 800 downloads/month for RC圓.Ĭritically, Cytoscape Automation creates new standards that encourage Cytoscape core and app authors to expose Cytoscape functvionality via REST-based API calls backed by state-of-the-art documentation based on the widely used Swagger documentation framework. Our py2cytoscape (for Python) and RC圓 (for R) libraries provide easy access to Cytoscape and app functionality and are available in these repositories, too. This paper focuses on using Cytoscape Automation from Python and R because they are widely used and understood by bioinformaticists and because they already have well-documented repositories of bioinformatic functions that enable researchers to create reliable, flexible, and performant bioinformatic workflows quickly and easily. Both REST and JSON are already in wide use in client/server computing, are accessible from most programming languages, are immediately understood by most bioinformaticians, and are easy to learn given the massive body of relevant training materials, examples, and extant community. Under Cytoscape Automation, workflows can use CyREST to issue commands to Cytoscape and automation-enabled apps via the REST protocol, which encodes data as JSON documents. 1, Cytoscape Automation is a new Cytoscape feature that addresses these issues by extending the existing CyREST app, which empowers bioinformaticians to create reproducible workflows expressed in robust and well-known programming languages (e.g., Python, R, Javascript) using familiar programming environments (e.g., Jupyter and RStudio). Finally, as an interactive tool, Cytoscape is not positioned to add value to emerging workflows that integrate one or more external data acquisition and analysis tools (e.g., Galaxy, Taverna, and libraries provided in repositories such as PyPI and Bioconductor ).Īs shown in Fig. Moreover, while Cytoscape apps provide highly performant and relevant network biology functionality, the specialized programming talent and relatively long development times they require can make them uneconomical for delivering complex and evolving workflows. However, interactive use has proven inadequate for precisely reproducing or sharing complex analyses or for scaling to high volume or production analysis. Investigators can interactively explore complex *omics datasets via analysis and visualization functions provided by Cytoscape and a large and vibrant community of app contributors. As a platform for network biologic analysis, Cytoscape has proven to be enormously popular, with over 17,600 downloads worldwide each month, 5000 startups each day, and over 1000 direct citations per year. The reason many web font services didn’t allow use in email is because it’s seen as distributing the font, which goes against many of the services’ End User License Agreement (EULA).Īll of the web font providers we contacted supported using their fonts in email. Web fonts were originally designed to be used solely on websites, so their licensing is typically for use only on websites and mobile applications. Get the insights you need to optimize your emails and beyond. Which email clients do your subscribers use?įind out where your subscribers open your emails and how they engage-with Litmus Email Analytics. Web fonts only work in some email clients, and care has to be taken to ensure that where they aren’t supported, the font falls back gracefully. If you haven’t already guessed, the answer is yes! But-as in all things email-there are caveats. Web fonts open up new avenues of creativity in typography, allowing email designers to be creative and accessible-and stick to their brand’s look and feel. So why not provide the best experience for the widest audience possible? This may not be a huge portion of your subscribers–but there’s really no way to know if someone has their images turned off and opens your email. Email with and without images when using a web fontĮmail with and without images when using text in imagesĪnd, having text in your images hurts the subscriber experience if they have images turned off by default. But “hiding” text in images limits the accessibility of the email because screen readers can’t read the text on the image. Locking important copy in images has been a standard practice in email design as a way of staying on brand and being creative. Web fonts let you show off your brand without relying on images for your text. So you might wonder, why bother with web fonts at all? As a marketer and designer, you know the pressure to stay on-brand in email with colors, design, and-yes-typography. So while web fonts give you much more variety and creative freedom, they do come at a cost: limited email client support (which I dive into further down). In some cases, your subscriber may already have a web font downloaded and installed on their machine, so these fonts will work even in email clients that don’t support web fonts! Because of this, the variety of fonts that can be used is much larger, and they can be used on any computer… as long as the browser or email client can pull the font in. Web fonts are pulled from a server-either one you host yourself or an external one (such as Google or Adobe). I love that they include a percentage of use for PCs and Macs for each font so you know approximately how many of your subscribers might see the font you want and how many will see your fallback instead. The best resource I’ve found for web safe fonts is CSS Fonts. So break out of the standard Arial or Helvetica font loop, and find a web safe font that works for your brand. And they’re used pretty frequently, so you’re less likely to stand out (if that’s what you’re aiming for).īut there are several other ones out there that you can use with a certain degree of confidence. The downside is that there are a limited number of web safe fonts compared to web fonts. They’re safe to use because there’s a really good chance your subscribers will already have them. All computers come with pre-installed fonts, and these are what’s considered web safe. That means these are fonts that are already installed on your computer. With web safe fonts, the browser pulls the font from your local font directory. When your subscribers open your email, the browser reads the font-family property and pulls in the font to use. Without listing multiple font names, the email client gets to decide your backup font. Including multiple font names ensures that if one font doesn’t work, there is a fallback or backup font of your choosing. This font-family property can have just one font name or multiple font names-often referred to as a font stack. When your email is coded, the font is declared using a CSS property called font-family. In order to understand these differences, let’s take a look at how fonts work in your emails. Although they sound the same, there are definite differences. There are two different ways you can do live text: web safe fonts and web fonts. To deliver on both, stop trapping your message in images, and start using live text with web safe fonts and web fonts. But accessibility is also critical delivering a great subscriber experience. One of the first aspects of design that people play with is typography–and it’s important in email design, too. Enterprise Plan Boost collaboration and drive results.Litmus Plus Automate testing to ensure quality.Litmus Basic Build error-free, effective emails quickly.All Plans See solutions for companies of all sizes. Any changes you make (and save) will beĪutomatically picked up when you refresh the page.Įxcept as otherwise noted, the content of this page is licensed under the Creative Commons Attribution 4.0 License, and code samples are licensed under the Apache 2.0 License. Try testing the examples locally first by going into your If the command is available, it should fail withįor Earth Engine access, you can use it to authenticate (see config.py) If the command is not found, try manually downloading and installing theĪpp Engine SDK for Python. Verify that the App Engine command line tools are available by running: The Earth Engine Python API and itsĭependencies will be copied to a. The setup script will download dependencies and install Google command line tools, if If there's a build.sh file, run it from your application root Set up the local development environment Pythonįollow the instructions in each example directory on GitHub to download and build the Install it from npm, or, if you've already cloned the entire EE API repo, copy itįrom earthengine-api/javascript/build on your local filesystem. Ensure ee_api_js.js is available in the /static/ĭirectory (or equivalent).Update static/script.js (or an equivalent file in your source code).You need to set up an OAuth Client ID from your Cloud Project. If you want users to authenticate as themselves (rather than using a service account), If installation fails, check thatĪ recent version of Node.js is installed. node_modulesįolder in your project directory. Node.js API and any other dependencies will be copied to a. Install the project's dependencies by running npm install. (The path to the key file should not change If the test succeeds, update config.py (or an equivalent file in your sourceĬode) with your service account email address. If you haven't already, first set up the Earth Engine PythonĪPI. To set up authentication with a service account,įollow these instructions to create the service accountĪnd private key file. TheĬonfig.py file contains authentication code using the service accountĮmail address and a private key file. If you're using Python on Windows,Įnable the Earth Engine API on your Google Cloud projectĬreate or select a Google Cloud project and enable the Earth Engine API according toĪuthorize requests to Earth Engine on behalf of whomever is using your app. The Python instructions are intended for Mac OS and Linux. The following instructions explain how to deploy the Deploying App Engine apps with Earth Engine This doc provides instructions for how to set up and deploy See the Example Apps page for a briefĭescription of each example. Must signup for Earth Engine and log in before using the application.Įngine App Engine demos directory on GitHub contains a set of useful AppĮngine examples. Theīenefit of this approach is that requests to Earth Engine are made using the end user'sĬredentials, so you are less likely to hit usage limits. Visitors to your application must be registered for Earth Engine and log in. Note that the standard Earth Engine usage limits apply to each serviceĬlient-side authentication instead of a service account. This is advantageous because it allowsĪnyone to use your app without logging in or being a registered Earth Engine user. Typically, your App Engine code includes theĮngine Python client library and makes requests to the Earth Engine backend using a New to developing for App Engine, be sure to check out the App EngineĮarth Engine and App Engine can be used together to build scalable geospatialĪpplications. You simply upload your application source code and it’s ready to go. To create, maintain, and scale as your traffic and data storage needsĬhange. And run your own custom applications on Google’s servers. howto.vote- Send in a voice message: https. 22.4k Followers, 455 Following, 114 Posts - See Instagram photos and videos from Jamie Lee Finch (jamieleefinch) jamieleefinch. Charity Promotion: Democracy Works: This advertisement is part of a charitable initiative in partnership with Democracy Works.I was stoked to chat with Jamie over Skype, where we discussed owning your sexuality, and a bit on purity culture, too. Clearly, there’s a demand for this type of reconnection with our bodies. Queerology releases every other Tuesday and is supported by its listeners via Patreon. Jamie Lee Finch returns to the show to discuss her new book - This episode is sponsored by Jamie is based in Nashville, Tennessee, and her practice is fully booked until 2019. Masterclass: 4 Practices You Can Start Now to Move Beyond Shame Jamie Lee Finch is a sexuality and embodiment coach, intuitive healer, self-conversation facilitator, sex witch, and poet. She’s just released her very first online course called “ Your Body is a Person” that walks you through her entire methodology and practice of Personified Embodiment She’s coached over 400 people in the past 5 years and sees her role in her work as that of a conflict mediator between human beings and their bodies. C : Jamie Lee Curtis, Donald Pleasence, Nancy Loomis, P. Jamie Lee Finch is a sexuality and embodiment coach, speaker, poet, and author of “ You Are Your Own: A Reckoning with the Religious Trauma of Evangelical Christianity“. C : Jon Finch, Barry Foster, Barbara Leigh - Hunt, Anna Massey. Listen/Subscribe via: Apple Podcasts | Google Play | Spotify Give your customers more options with connectors However, I’ve found that even these solutions can require complex integrations that slow the process. accelerate cloud readiness, even for smaller businesses that don’t have large IT staffs or budgets. SaaS applications like SugarCRM, NetSuite, Workday, etc. However, the more business ecosystems grow, the less feasible and practical it becomes to provide that level of individualized support.įortunately, modern businesses have largely adopted solutions that come with some level of cloud connectivity. The legacy approach to business interconnectivity was to work directly with each customer, agreeing on data flows, and building shared business processes. The challenge of cloud connectivity through all these changes lies in orchestrating data flows without limiting functionality, stifling progress or exposing security vulnerabilities. Constant data movement, system updates, changing access controls and evolving endpoints all play a part, too. One of the most significant challenges to integration is the diverse nature of information systems. In my experience, as banks become closer to their clients and partners, they’re looking for easier and faster ways to connect. The struggle to meet customer demands for agility From there, you can settle on a solution that provides rapid integration while keeping your architecture agile and adaptable. If you want to accelerate business connectivity in the cloud, it’s important to first gain a firm understanding of what’s expected by your customers, and what’s required on your side. As customer ecosystems grow, traditional approaches to integration result in overly complex and burdensome data and application networks. While business leaders and technical experts have a deep understanding and working knowledge of their in-house solutions, business integration in the cloud requires a modern approach. However, these integrations don’t just happen. For banks and financial institutions, providing cloud connectivity can also open up more opportunities for business partnerships and bring you closer to your customer. Reduces the burden to map and manage constantly changing EDI documents, and allows manufacturing companies to focus on their core business.Cloud integration holds many promises, including better product and service offerings, reduced total cost of ownership, simplified IT management, and architectures that keep businesses running at the pace of innovation. Reduces infrastructure and resources costs – reduces costs for EDI infrastructure and in-house EDI expertise. Improves visibility of entire communication – improves ability to see successful transactions and alerts to communications issues any point throughout the process. QAD supports all facets of EDI across the supply chain which reduces time required to respond to changes in the supply chain. Speeds up implementation of trading partner changes – improves turnaround on any required trading partner changes by consolidating all EDI services under one service provider. Provides manufacturing companies complete and seamless integration of their trading partner requirements into QAD EDI eCommerce and QAD Enterprise Applications. Speeds up integration of new trading partners – increases market share and responds to changes in the supply chain by quickly integrating new customers and suppliers up and down the value chain. Eliminates need for infrastructure or in-house EDI expertise when deployed in the QAD Enterprise Cloud and in combination with QAD EDI eCommerce and Application Management Services (AMS) for QAD EDI eCommerce. Reduces operating cost – reduces internal operating costs by outsourcing EDI services to manage connections, document mapping and infrastructure. QAD Cloud EDI simplifies communication with customers and suppliers up and down the value chain, and allows complete visibility and tracking of all communication transactions. The primary value you will receive from QAD Cloud EDI is a complete set of services that provide EDI translation and communication. |
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